Archive for March, 2006

More Important Than The Design Of Cities Will Be The Design Of Their Decay

Monday, March 27th, 2006

Tessa Rumsey

Where did you grow, before your roots took hold in the garden?

Curiouser and curiouser, this allegiance you seem to have with rocks.

Bluish blooms bathed in perfection, the moon shines fresh as you melt away.

*

Loneliness is a laboratory; its territory is forever defined; for reasons beyond our conviction

It cannot be lessened; only redirected and made to resemble a crumbling heaven or the year’s

Grand delusion: I shall no longer want for that which left me long ago—go slow, said the soul,

That you may know the streets of your abandoned city more intimately than any joy

Or cherished season. We were in collusion, this city and I, creating a mythology of desolation;

Feeling utterly evacuated; yet methodically structured; in a post-Roman Empire; previously

Doomed sort of way—and what did the soul say, but know it better, then in a fever, go deeper.

There are days, I told the translator, when the veil drops and I am no longer inside the No-

Place most familiar, built by me long ago, and I walk through the world as if made real

By the existence of others and the casual way a crowd pauses together on a concrete curbside—

Perhaps one of them is weeping, perhaps another will gently reach out and twist a knife

Into my heart and we will lock eyes, and I will fall to my knees, and for a moment

He will hold me. What will I remember? The cold blade’s cruel demeanor? My body

As it seizures? Or the gesture of my destroyer, showing me that in this life, I was not alone.

I’m a Fool to Love You

Friday, March 24th, 2006

Cornelius Eady 

Some folks will tell you the blues is a woman,
Some type of supernatural creature.
My mother would tell you, if she could,
About her life with my father,
A strange and sometimes cruel gentleman.
She would tell you about the choices
A young black woman faces.
Is falling in with some man
A deal with the devil
In blue terms, the tongue we use
When we don’t want nuance
To get in the way,
When we need to talk straight.
My mother chooses my father
After choosing a man
Who was, as we sing it,
Of no account.
This man made my father look good,
That’s how bad it was.
He made my father seem like an island
In the middle of a stormy sea,
He made my father look like a rock.
And is the blues the moment you realize
You exist in a stacked deck,
You look in a mirror at your young face,
The face my sister carries,
And you know it’s the only leverage
You’ve got.
Does this create a hurt that whispers
How you going to do?
Is the blues the moment
You shrug your shoulders
And agree, a girl without money
Is nothing, dust
To be pushed around by any old breeze.
Compared to this,
My father seems, briefly,
To be a fire escape.
This is the way the blues works
Its sorry wonders,
Makes trouble look like
A feather bed,
Makes the wrong man’s kisses
A healing.

Morning song of Senlin

Thursday, March 16th, 2006

Morning Song of Senlin

Conrad Aiken

It is morning, Senlin says, and in the morning
When the light drips through the shutters like the dew,
I arise, I face the sunrise,
And do the things my fathers learned to do.
Stars in the purple dusk above the rooftops
Pale in a saffron mist and seem to die,
And I myself on a swiftly tilting planet
Stand before a glass and tie my tie.

 

Vine leaves tap my window,
Dew-drops sing to the garden stones,
The robin chips in the chinaberry tree
Repeating three clear tones.

 

It is morning. I stand by the mirror
And tie my tie once more.
While waves far off in a pale rose twilight
Crash on a white sand shore.
I stand by a mirror and comb my hair:
How small and white my face!–
The green earth tilts through a sphere of air
And bathes in a flame of space.
There are houses hanging above the stars
And stars hung under a sea. . .
And a sun far off in a shell of silence
Dapples my walls for me. . .

 

It is morning, Senlin says, and in the morning
Should I not pause in the light to remember God?
Upright and firm I stand on a star unstable,
He is immense and lonely as a cloud.
I will dedicate this moment before my mirror
To him alone, and for him I will comb my hair.
Accept these humble offerings, cloud of silence!
I will think of you as I descend the stair.

 

Vine leaves tap my window,
The snail-track shines on the stones,
Dew-drops flash from the chinaberry tree
Repeating two clear tones.

 

It is morning, I awake from a bed of silence,
Shining I rise from the starless waters of sleep.
The walls are about me still as in the evening,
I am the same, and the same name still I keep.
The earth revolves with me, yet makes no motion,
The stars pale silently in a coral sky.
In a whistling void I stand before my mirror,
Unconcerned, I tie my tie.

 

There are horses neighing on far-off hills
Tossing their long white manes,
And mountains flash in the rose-white dusk,
Their shoulders black with rains. . .

 

It is morning. I stand by the mirror
And surprise my soul once more;
The blue air rushes above my ceiling,
There are suns beneath my floor. . .

 

. . . It is morning, Senlin says, I ascend from darkness
And depart on the winds of space for I know not where,
My watch is wound, a key is in my pocket,
And the sky is darkened as I descend the stair.
There are shadows across the windows, clouds in heaven,
And a god among the stars; and I will go
Thinking of him as I might think of daybreak
And humming a tune I know. . .

 

Vine-leaves tap at the window,
Dew-drops sing to the garden stones,
The robin chirps in the chinaberry tree
Repeating three clear tones.